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Сообщение от Уши_чекиста
Что Кейн, что МакКонахи играют так, будто за неудачные дубли их избивают. Но у Торна спросите обязательно, что за дела с норой у Сатурна... и Главное, что за ботва с кубом, сцуко, долбаный куб, превративший фильм в гребаную мелодраму. Спросите его про куб, пожалуйста.
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А чего спрашивать Торна, когда он книгу написал, где он говорит, что был безумно рад, что Нолан включил этот тессеракт в фильм?
Торн об этом говорит в интервью. И вообще в фильме все очень-очень научно.
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Q. In your book, you say that Christopher Nolan introduced science elements of his own to the script. What did he bring?
A: The one that has the biggest impact, and that I really like, is the tesseract [the 4D analog of a cube]. When he told me in our first meeting that he was thinking of using a tesseract, he didn’t go into any detail. But I was very pleased because when I was 13 years old I read a book, One Two Three … Infinity by George Gamow, in which George drew a picture of a tesseract. It looks like two cubes, one inside another, and I spent hours staring at that, trying to come to grips with it. I found it so fascinating that it was one of the more significant influences on me to become a theoretical physicist.
So when he told me he wanted to use a tesseract, I thought that was great. I immediately saw and discussed with him how this was an ideal way to take his hero and carry him into the fifth dimension, and rapidly travel from one region of our universe to another, because distances in the [fifth dimension] will be much less than they are in our brane [our 4D slice of reality]. The tesseract that he created for the film is far more complex than any tesseract one has seen before. It’s fascinating; it’s beautifully designed.
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Physicist who inspired Interstellar spills the backstory—and the scene that makes him cringe