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гг подвешен за ноги и скован цепями, а один злодей будит его, говорит что-то типа "кукареку, ниггер", ну и в основном заинтересован его яйцами
в общем когда камера снизу вверх снимает лицо персонажа - это только один персонаж и единственное, что он открывает - входную дверь в помещение до этого

Trade Mark
Lead characters usually drive General Motors vehicles, particularly Chevrolet and Cadillac, such as Jules' 1974 Nova and Vincent's 1960s Malibu.

Briefcases and suitcases play an important role in Pulp Fiction (1994), Reservoir Dogs (1992), Jackie Brown (1997), True Romance (1993), and Kill Bill: Vol. 2 (2004).

Makes references to cult movies and television

Frequently works with Harvey Keitel, Tim Roth, Michael Madsen, Uma Thurman, Michael Bowen, and Samuel L. Jackson.

His films usually have a shot from inside a car trunk

He always has a Dutch element in his films: The opening tune, Little Green Bag, in Reservoir Dogs (1992) was performed by George Baker and written by Jan Gerbrand Visser and Benjamino Bouwens who are all Dutch. The character Freddy Newandyke, played by Tim Roth is a direct translation to a typical Dutch last name, Nieuwendijk. The code name of Tim Roth is Mr. Orange, the royal color of Holland, and the last name of the royal family. The Amsterdam conversation in PulpFiction, Vincent Vega smokes from a Dutch tobacco shag (Drum), the mentioning of Rutger Hauer in Jackie Brown (1997), the bride's name is Beatrix, the name of the Royal Dutch Queen.

[The Mexican Standoff] All his movies (including True Romance (1993), which he only wrote and did not direct) feature a scene in which three or more characters are pointing guns at each other at the same time.

Often uses an unconventional storytelling device in his films, such as retrospect (Reservoir Dogs (1992)), non-linear (Pulp Fiction (1994)), or "chapter" format (_Kill Bill: Vol.1 ( 2003)_).

His films will often include one long, unbroken take where a character is followed around somewhere.

Often casts comedians in small roles: 'Stephen Wright' as the DJ in Reservoir Dogs (1992), Kathy Griffin as an accident witness and Julia Sweeney as the junkyard guy's daughter in Pulp Fiction (1994), 'Chris Tucker' as Beaumont in Jackie Brown (1997), Mike Myers as 'General Ed Fenech' in _Inglorious Basterds (2009)_, and 'Jonah Hill' in Django Unchained (2012).

Widely imitated quick cuts of character's hands performing actions in extreme closeup, a technique reminiscent of Brian De Palma.

Long closeup of a person's face while someone else speaks off-screen (closeup of The Bride while Bill talks, of Butch while Marsellus talks).

[Aliases] He uses aliases in nearly all of his movies: Honey Bunny and Pumpkin from Pulp Fiction (1994), Mr White, Blonde, Orange etc. from Reservoir Dogs (1992). Bill's team in Kill Bill: Vol. 1 (2003) (Black Mamba, Copperhead, Cottonmouth, and California Mountain Snake), The Basterds and other major characters in Inglourious Basterds (2009)

[Director's Cameo] Often plays a small role in his films (Jimmie Dimmick in Pulp Fiction (1994), Mr. Brown in Reservoir Dogs (1992), the answering machine voice in Jackie Brown (1997), The Rapist in Grindhouse (2007) and Warren in Death Proof (2007)).

Frequently uses Mêlée weapons, such as the samuri sword that Butch uses in Pulp Fiction (1994) and the bride uses in the Kill Bill movies, also the stake attached to a jackhammer used by George Clooney in From Dusk Till Dawn (1996).

Extreme violence, much of which is suggested off-screen

Frequently has a female character who wears a black and white pant suit (Uma Thurman in Pulp Fiction (1994), Pam Grier in Jackie Brown (1997), Daryl Hannah in Kill Bill: Vol. 2 (2004)).

Often creates fictional brands of objects due to his dislike of product placement. The Red Apple cigarettes and Big Kahuna burger established in Pulp Fiction (1994) are often referenced in his other films.

Frequently sets his films in Los Angeles

Often frames characters with doorways and shows them opening and closing doors.

Minor character dialogue is off-screen in his films

A character cooly talks through an intense situation, either delaying the occurrence of violence or avoiding it through resolution.

Interjects scenes with introduction of a character's background (Hugo Stieglitz is introduced in the middle of the Nazi torture scene in Inglorious Basterds (2009), O-Ren is introduced with a interuption in the main story in Kill Bill: Vol.1 (2003)).

Frequently uses Spanish classical guitar for the soundtracks

Known for giving comebacks to "forgotten" actors and/or cult actors by giving them important roles in his movies: John Travolta(Pulp Fiction (1994)), David Carradine(Kill Bill: Vol. 2 (2004)), Lawrence Tierney(Reservoir Dogs (1992)), Pam Grier(Jackie Brown (1997)), Robert Forster(Jackie Brown (1997)), Sonny Chiba(Kill Bill: Vol. 1 (2003))... even in smaller/cameo roles:Sid Haig (Jackie Brown (1997),Kill Bill: Vol. 2 (2004)), Edward Bunker(Reservoir Dogs (1992)), Rod Taylor in Inglorious Basterds (2009)_) and Michael Parks(Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004), and_From Dusk Till Dawn (1996)_, which QT wrote and co-starred in).

Frequently references his home state of Tennessee in his films: In Pulp Fiction (1994), Butch plans to meet his connection in Knoxville, which is also where his grandfather bought the gold watch; the song "Tennessee Stud" by 'Johnny Cash' appears in Jackie Brown (1997); Death Proof (2007) is set in Lebanon, Tennessee; "Lt.. Aldo Raine" in Inglourious Basterds (2009) hails from Maynardville, Tennessee.

Often interjects titles to tell the audience of a new portion of the story (Character names in Reservoir Dogs (1992), Chapter form in Inglourious Basterds (2009), Explanations of what audience will see such as in Pulp Fiction (1994)

Characters frequently use the phrase bingo

Shots with only a woman's bare feet (Uma Thurman is barefoot in the introduction of Mia in Pulp Fiction (1994) and while the Bride is sitting in the back of Buck's truck trying to move her big toe in _Kill Bill Vol. 1 (2004)_, In Death Proof (2007) 'Sydney Tamiia Poiter' (Jungle Julia) is barefoot almost constantly and Rosario Dawson (Abernathy) has her feet hanging out the window of a car while she is asleep) or characters who discuss bare feet (Jules (Samuel L. Jackson) discusses the ethics of foot massages with Vincent (John Travolta) in Pulp Fiction (1994), In Death Proof (2007) Abernathy (Rosario Dawson) talks about Stuntman Mike ('Kurt Russell') bumping into her feet when he walks by.

Prefers to start most of his films with a scene before the main titles are shown

All of his films feature one or more scenes in a restaurant

Characters often utilize sharp, bladed weapons. (Mr. Blonde uses a straight razor to cut off Marvin Nash's ear in _Reservoir Dogs (1993)_, Butch uses a samurai sword to kill Maynard in Pulp Fiction (1994), The Bride uses a samurai sword to kill several characters in _Kill Bill Vol. 1 (2003)_ and _Kill Bill Vol. 2 (2004)_, Lt. Aldo Raine uses a Bowie knife to cut a swastika in Col. Hans Landa's forehead in _Inglorious Basterds (2009)_, Vernita Greene fights The Bride with a butcher knife in _Kill Bill Vol. 1 (2003)_)

Often shows a relationship between an older experienced character and a younger character in a manner similar to a parent or teacher

Cleft Chin

His characters often discuss Their favorite films or shows while carrying out Their activities

His films often feature at least one character who is deeply Religious or spiritual and tries to reconcile that faith with Their actions (Jules in ''Pulp Fiction'', Jacob in ''From Dusk Till Dawn'')

Revenge is a common theme in his films

Often frames dialogue scenes around a character preparing food, usually intercut with close-ups of their hands and food items: Vernita Green making her daughter cereal in _Kill Bill: Volume 1 (2003)_, Bill making B.B. a sandwich in _Kill Bill: Volume 2 (2004)_, Hans Landa offering Shosanna Dreyfus a strudel in Inglourious Basterds (2009), King Schultz pouring beers in Django Unchained (2012).

Usually when giving an interview, he will greet the audience with a peace sign

Many of his protagonists are morally suspect, violent-tempered individuals who ultimately best their antagonists by outmatching them in sheer brutality

Colorful main antagonists with an elaborately thought-out, vivid but extremely twisted (and often bigoted) world view and philosophy

Lingering shots of women's feet

Scenes are more often than not loaded with homages or visual references to other director's works

Often times the violence in his films is over exagerrated and rooted in a darkly comic context.